Who is Charlie Conti? Read online

  Who is

  Charlie Conti?

  CLAUS VON BOHLEN

  Publisher’s Note

  The manuscript of the following work was sent to the offices of Old Street Publishing with no note or contact information. The publishers have made every effort to locate the author but, to date, their enquiries have not met with success. Charlie Conti is hereby identified in absentia as the author. The publishers did discover that Captain John Dawson died of natural causes in August 2007; he is buried in the Machias cemetery in Maine. They were also able to locate Isabella Conti at the Happy Lives residence in Paradise, Maryland. As next of kin, all royalties will go to her. The publishers have also sent her the DVD box set of The Sopranos.

  With many thanks to Captain John Dawson.

  What makes him so bold? The mask and costume behind which he hides. In his own person he would never dare to speak as he does in the character of this other personality for whose words he does not feel himself responsible. Thus a characterization is the mask which hides the actor-individual. Protected by it he can lay bare his soul down to the last intimate detail. This is an important attribute or feature of characterization.

  Building a Character, Constantin Stanislavski

  Boys and girls in America have such a sad time together; sophistication demands that they submit to sex immediately without proper preliminary talk. Not courting talk ñ real straight talk about souls, for life is holy and every moment is precious.

  On the Road, Jack Kerouac

  Nothing belongs to us anymore; they have taken away our clothes, our shoes, even our hair; if we speak, they will not listen to us, and if they listen, they will not understand. They will even take away our name: if we want to keep it, we will have to find ourselves the strength to do so, to manage somehow so that behind the name something of us, of us as we were, still remains.

  If This is a Man, Primo Levi

  Contents

  Title Page

  Publisher’s Note

  Dedication

  Epigraph

  I

  II

  III

  IV

  V

  VI

  VII

  VIII

  IX

  X

  XI

  XII

  XIII

  XIV

  XV

  XVI

  XVII

  XVIII

  Copyright

  I

  WHEN YOU LOOK back at something that went really badly wrong, it’s weird how you kid yourself into thinking that there must have been some pivotal point around which it all happened. I mean, things had been going pretty badly for me for a while, but I didn’t get really freaked out until the meeting in the diner, off of Interstate 15. If I believed in one pivotal point, then that would be it.

  The diner was one of those crazy, shiny rail carriages on stilts, all polished aluminum and bits of zig-zag piping in blue and red, showy as hell. Out in the desert fifty miles south of Vegas it looked pretty cool in a proud and lonely American way. Anywhere else it would have been really tacky. All around the land was flat and dry and you could just make out a car dealership and a gas station in the distance. I remember everything about that diner, which is strange because there’s a load of stuff that has happened since then that I don’t remember so well. I remember the music they were playing, some corny Hispanic pop dripping with emotion, the lead singer baring his lovelorn soul. I remember the smells – disinfectant, coffee, burnt fat and a faint whiff of the fake orange cheese that gets squeezed onto hotdogs. I remember feeling pretty jittery in that diner on account of all the coffee refills I’d been drinking. I don’t drink much coffee but I’d had a few hours to kill and not a lot else to do.

  Of course I remember the waitress. She had dark hair and green eyes; that combination knocks me out. I also like it when a girl’s lips curl up and out a little, but not too much; she had that going too. To tell the truth, I have a great memory for cute girls. Really I do. In fact, I don’t just remember cute girls, I even invent them. Sometimes I dream about girls that I swear I’ve never seen before. I’m sure it doesn’t only happen to me, but it makes me feel better because I do forget a lot of people and so long as I keep inventing plenty more I guess I break even, more or less.

  Anyway, I didn’t want to look like a moron in front of the waitress. I mean, I’d been drinking coffee and staring out the window for most of the morning already. So I figured I’d ask her for a pen and maybe write down all the important stuff so I wouldn’t forget anything when Special Agent Kramer arrived.

  I called her over and asked her for a pen, politely. I’m always polite to girls, I can’t help it. Even if I don’t like a girl I’m polite to her. It can get annoying. The waitress was the kind of girl that every guy is polite to; even tough-ass guys get all polite and simpering when they talk to a cute girl. But like I was saying, I asked if she would lend me her pen. She looked at me real steady, then she put her hand in the pocket of her apron and took out a small, black Dictaphone. She turned half around and said something into it. I couldn’t hear what she was saying but I could see her lips moving. I could also see the back of her ear. I’m not an ear-fetishist or anything, but it was the most perfect ear I’d ever seen. Flawless. It makes me happy and at the same time a bit sad when I see something so perfect. Happy because it’s there and sad because I know it can’t last. I was still staring when she turned back round and handed me the Dictaphone. It really was small, smaller than the palm of my hand. The Dictaphone had two buttons, one to play and one to record. I pressed play and heard her voice say:

  ‘Ask me again, señor.’

  I pressed record and spoke into it. ‘Can I borrow a pen, please?’ I said. And then, as an afterthought, ‘Por favor.’

  She stared at me pretty seriously the whole time. It felt like she was testing me. If she was, I guess I passed because she took the Dictaphone back from me, held it to her ear and listened. Then she nodded a curt little nod, replaced the Dictaphone in the pocket of her apron and withdrew her hand, this time holding a red pen. I thought she was going to hand it to me but instead she put one end of it in her mouth and then – I’m not kidding – she leant forward so that I could grasp the other end. I took the pen from her mouth and she continued looking at me pretty steady. I looked back as steady as I could and then I raised one eyebrow; I’m really good at raising just one eyebrow, you can ask anyone. I’m a natural, I never had to practise. Izzy – that’s my sister – she used to go crazy when I did it. But the waitress wasn’t impressed. She just turned around and walked back to the register. There was a lipstick mark on the damp end of the pen, so I wiped it off on the first napkin. Then I started writing on the next napkin from the dispenser.

  As soon as I started writing it felt like a weight was being lifted. There was so much stuff in my head that only I knew, and that no one else would believe, and putting it onto that napkin got it out there and made it feel real. I knew it was all true, but when everyone else is so goddamn sceptical, and when you don’t have any records or anything like that, well, even you start to wonder. I mean, for Chrissake, officially I am no longer the only Charlie Conti. In fact, in many ways I am the more insignificant Charlie Conti. Ok, so I’m real, you can see me and touch me and all, but that doesn’t mean a whole lot to the files and the computers and the massive blind institutions that seem to determine my identity. I’ll explain how I got into this mess in a minute, but that was the first thing I wrote on the topmost napkin, in big letters: I AM REAL. What a crazy thing to write. What a crazy thing to have to write.

  The end of the pen got stuck a couple of times, on account of the napkin being a bit soft for writing on. And when the pen didn�
��t get stuck it left a corrugated surface behind it, like the wake behind a scalloping boat. But despite that it felt good to write some stuff down. It felt like I was testifying, testifying to the truth, so no matter what Special Agent Kramer said to me, or got me to say, the truth would be out there – even if it only got used to mop up spilt coffee. You see, it was Special Agent Kramer I was waiting to meet in the diner.

  II

  IF I WANT to explain who I am, and why I was in that diner, and how I got into the mess I’m in, I guess I’ve got to go back a few years. Maybe not all the way back, although I don’t think that anything is ever totally irrelevant. But for now I’m going to stick to the main points, like how I got to Los Angeles, and why I didn’t really know anyone there, and why I liked that.

  I grew up in Italy and I didn’t come to the US until I was twelve years old. My mother decided to move to New York because she said she couldn’t lead a normal life in Italy. She was an actress. Italians I meet have always heard of Isabella Conti; she was really famous. Some people say I look like her and I guess that might be true – I’ve got a big mouth like her and my eyelashes are pretty long for a boy. But she died when I was thirteen and so it’s a bit hard to remember. We used to have a nanny – because of my sister Izzy, not because of me – and she told me that my mother died of a broken heart. That’s what I used to believe, but recently I read someplace that she died of an overdose. Same difference, I guess.

  After my mother died I went to a few different schools. I wasn’t exactly a rebel, but I found it difficult to stay long in one place. My mother had made a lot of money so the trustees of her estate were happy to employ a tutor and also a cook and a housekeeper to look after me in our old apartment. You wouldn’t have thought it would be lonely with so many people around all the time but it was, I promise you. When the estate was made over to me on my eighteenth birthday I’d had enough of living in our old apartment with everyone trying to tell me what to do all the time, and so I decided to go to acting school in Los Angeles.

  I guess I stuck out a bit when I first arrived at the Hollywood School of Dramatic Arts. For one, I’m not much of an extrovert. In my first semester, the other students were trying to be the most extroverted, the most confident, the first to get noticed. There were guys who changed the color of their hair every week and girls who shouted about their neuroses in the cafeteria. I guess you’re wondering why I was there, if I’m not an extrovert and I don’t like getting noticed. Actually, I didn’t want to be an actor at all. I just wanted to learn about acting. It’s pretty interesting. And I guess I also hoped that, by being around actors, I would end up feeling closer to my mother.

  My mother never told me who my father was. I have a pretty good idea because I know he was American and I’ve seen a few of my mother’s movies where there are some pretty hot scenes with an American actor called George Chesterton. He’s handsome in an all-American way – blond and tanned with a big old rancher’s jaw. But I’m not actually so sure it’s him, and even if it is, I’ve read that he already has a load of kids from a load of different women, so I don’t want him to be my father anyway.

  I’ve got a sister too. She’s called Isabella, like my mom, but I’ve never called her that. I just call her Izzy, because that’s what she likes. She’s got one chromosome too many, which is a pretty small defect if you ask me – I mean, there’s no way you could even see a chromosome – but it’s really significant because it means she’s got this condition called Down’s Syndrome. I understand her pretty well because we grew up together – she’s only a few years younger than me, although she’ll never really grow up, not like a normal girl.

  When my mother died I was thirteen, like I said, and Izzy was ten. The trustees sent me to a boarding school called Belmont and Izzy to a residence for children with special needs in Maryland, about four hours drive from New York. I guess they meant well but I was pretty upset about it at the time and Izzy was too, except often she doesn’t express herself very well. We’d only been in New York for a year by then and I didn’t really have any close friends. I guess my English wasn’t so hot back then either.

  While I was at Belmont, I used to go visit Izzy during the vacations. After the first six months she seemed pretty happy where she was, so I didn’t use to worry about her too much. But man, did she love it when I came to visit. She’d have presents for me – all things she’d made herself – and she’d drag me from bedroom to bedroom and introduce me to the other residents. That used to freak me out a bit, especially at the beginning: a lot of her friends were pretty weird, drooling and grunting and stuff. Sometimes I just wanted to be alone with Izzy, but they wouldn’t let me take her out without a supervisor, on account of my being a minor and all. I hate people listening in on personal stuff, so I never felt like talking to Izzy about mom or about Rome, which is where we used to live, or about any of that. I’d really have liked to though.

  The last time I’d been to visit Izzy was in the summer, shortly before I turned eighteen. I’d been invited to the summer barbecue party at her residence. Believe it or not, the place is called Happy Lives – very corny, I know. I guess maybe it’s a joke because the town it’s in is called Paradise; Happy Lives in Paradise. Whatever.

  I’d pretty much given up on schools by that point. I had a tutor instead, a guy called Martin. He was a pretty good tutor and I liked him. He had this British accent which made him sound like he’d just stepped out of a movie. I think the trustees thought that spending time with Martin would make me want to go to ‘Oxbridge’ (which actually means Oxford or Cambridge, but it took me a while to figure that out) or some Ivy League school. I guess they were also worried about me being not quite eighteen and about to inherit as much as I did.

  I liked Martin, I really did. He could be pretty funny in this really dry British way. Also, he was much younger than all the old men who had been my tutors in the past. The only thing I didn’t like was when he started lecturing me. It’s not that I hate learning stuff, it’s just that if something is interesting then I kind of learn it anyway. I’m pretty good at picking stuff up but I was never a good student; I guess I just don’t like being told what to do. Martin wanted to be an academic so maybe he was just practising for that, but I could tell it annoyed him to get interrupted. Some smart people are like that, they hate being interrupted. Most of the time Martin wasn’t like that, but sometimes he could be.

  He also looked pretty funny – he was really pale with this kind of floppy, orange hair. During the first week I messed him around some: I’d suggest going for walks or playing golf or something, always at midday, and in the evening I’d see how red and sunburnt he’d got. Sometimes he made his handkerchief into some weird kind of hat by tying a knot at each corner. That used to crack me up, that hat. I’d never seen anything that looked so dumb and I used to be pretty outspoken about it, but Martin wasn’t too bothered. He used to say: ‘De gustibus et coloribus non disputandum est,’ which means something like that there’s no accounting for taste. When I look back at it now, I think that maybe Martin did some of those dumb things because he knew I would find them funny; I didn’t realize that at the time though. However, I did realize after that first week that he was a pretty decent guy, even if I did still think he was kind of dumb, and so I lightened up on him some.

  So anyway, a few weeks before my eighteenth birthday I got an invitation through the mail to The finger-lickin’ good summer BBQ party at Happy Lives. I asked Martin if he’d drive me – my mom’s old Merc was in the garage and the attendant was paid to keep it roadworthy. Martin was pretty hesitant, what with driving on the right side of the road and it not being his car and all. But he could see this was a good reason to leave the city, so he told me to write back to Happy Lives and accept the invitation. Man, you wouldn’t believe that a guy who wore a handkerchief for a hat could be so damn correct. He made me reply like this:

  Charlie Conti esq. acknowledges receipt of the invitation to the finger-lickin’ good summ
er BBQ party at Happy Lives and gratefully accepts.

  That killed me, that reply, and I think even Martin thought it was pretty funny, except he never let on.

  We bought a couple of jumbo bags of tootsie rolls – Izzy is crazy about them – then we took the elevator down to the basement garage to get mom’s old Merc. Martin complained about it not being stick shift and the first few hundred meters were pretty unsmooth – I was grateful for the seatbelt – but we were soon speeding out of Manhattan through the New Jersey turnpike towards Maryland. The city had been getting pretty humid and it felt great to leave. I was also kind of jacked up on tootsie rolls, and in the mood for kidding around.

  ‘Hey, Marty,’ I said.

  ‘Please don’t call me Marty.’

  ‘Sorry. Have you seen Back to the Future? That guy’s also called Marty, Marty McFly.’

  Martin didn’t reply. He seemed to be concentrating pretty hard on driving the car. His arms were very straight, like he was braced for impact.

  ‘So, Marty, you got any hotties waiting for you back home?’

  There were just two things that made Martin really angry: calling him Marty, and asking him about girls. That’s the crazy thing about really smart people. Even really smart people don’t realize that the only reason you say certain things is to see them get wound up.

  ‘That has nothing whatsoever to do with you, Charles.’

  He only called me Charles when he was really angry. But, like I said, I wanted to wind him up. Looking back, I feel bad about that now. He was a pretty decent guy and he wasn’t all that old himself. Maybe he was very shy with girls, or he’d had his heart broken or whatever. I mean, you just never know. And when it comes to stuff like that, then being smart doesn’t help all that much. I’ve learnt that. But at the time I just said: ‘Come on, Marty. I bet you got a lot of girls hot for you… I bet back home you’re the beta-carotene love machine.’